A Lyrical Response to She Who Tells a Story – #CCF Guest Review

ewsha Tavakolian, Don’t Forget This Is Not You (for Sahar Lotfi), Chromogenic print mounted on aluminum, 2010.

Newsha Tavakolian, Don’t Forget This Is Not You (for Sahar Lotfi), Chromogenic print mounted on aluminum, 2010.

Like mornings when dew drops hang on the tips of tree leaves, the stories of women hang in the air. They are the precipitation of the spirit; the evidence of its metamorphosis through the pressures of love and hate, peace and war and joy and sorrow. They are the condensation of spirit smashing against spirit under the power of patriarchy.  

The above excerpt is from Ria Scott’s lyrical guest review of Kristen Gresh’s She Who Tells a Story: Women Photographers from Iran and the Arab World, this week’s addition to the Fresh Milk Books Tumblr – the online space inviting interaction with our collection in the Colleen Lewis Reading Room.

For new Critical. Creative. Fresh reviews every week, look out for our #CCF Weekly  and see the good reads we have available at Fresh Milk!

About Ria:

Ria Scott is a former student of the University of the West Indies and the University of Leeds. An avid reader, her writing experience has spanned creative, journalistic and academic spheres. She is passionate about travelling the world and experiencing different cultures. To find out more about Ria, check out her blog riathereal.tumblr.com

Academic Digest: Intangible Economies – #CCF

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Fillip Magazine’s Intangible Economies (2012) tackles the abstract nature of economy in relation to cultural production. Set in the world of cultural/artistic production, the works in this anthology build on the provocative premise of its introduction, providing specialised analyses of the concept of economy as an institutionalised value system.  My response offers a brief look at “Intangible Economies”, the introductory chapter of the anthology. It took me three reads to grasp the salient ideas being expressed in the introductory chapter of the journal (the Footnotes were a saviour !). Making reference to Mauss’ theory of ‘the gift’, Derrida’s theory of representation and the ‘symbolic order’ and Marx’s theory of alienation, Hirsch’s articulation of the relationship between affect and economy raises challenging questions about the value of cultural production in a capitalist economic system.

The above excerpt is from Amanda Haynes’ review of Fillip Magazine’s edition Intangible Economies (2012) , this week’s addition to the Fresh Milk Books Tumblr – the online space inviting interaction with our collection in the Colleen Lewis Reading Room.

For new Critical. Creative. Fresh reviews every week, look out for our #CCF Tuesdays  and see the good reads we have available at Fresh Milk!

Wangechi Mutu’s Family Tree – #CCF

Wangechi Mutu, Try Dismantling the Little Empire Inside You, Ink, Mylar, pigment, photocollage with mixed media on Mylar and wall, 95 1/2 x 104”, 2007

Wangechi Mutu, Try Dismantling the Little Empire Inside You, Ink, Mylar, pigment, photocollage with mixed media on Mylar and wall, 95 1/2 x 104”, 2007

Definitions have always been my go-to method for gathering my thoughts; when you define something, it becomes clear and finite, manageable and straightforward. It creates a singular approach to a topic. After reading Kristine Stiles’ essay Wangechi Mutu’s Family Tree in the stunning exhibition catalogue for ‘Wangechi Mutu: A Fantastic Journey’, I felt saturated by the full sensory experience- from Stiles’ words, to Mutu’s salient images, to the gorgeous, smooth matte cover of the book. So, I retreated to my comfort zone of definitions to decompress. The corner I managed to back myself into with this, is that seeking a tidy, singular trajectory for something which in itself embodies plurality felt inadequate, especially with the much wiser and nuanced voices in the essay colouring my interpretations.

The above excerpt is from Katherine Kennedy’s review of the essay ‘Wangechi Mutu’s Family Tree’ by Kristine Stiles in the exhibition catalogue Wangechi Mutu: A Fantastic Journey, this week’s addition to the Fresh Milk Books Tumblr – the online space inviting interaction with our collection in the Colleen Lewis Reading Room.

For new Critical. Creative. Fresh reviews every week, look out for our #CCF Tuesdays  and see the good reads we have available at Fresh Milk!

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Look Beyond What you See – #CCF

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Look at the nearest clock. With a lazy glance you see numbers, perhaps hands, a circle or maybe a square-shaped face. Pay closer attention and you may determine the time. Be even more attentive and you begin to appreciate the design of your clock face. Imagine the technology that enables the hands to move, the numbers to change. Everything that happens behind what you see gives you a better understanding of how that clock portrays time. Now, take this principle and apply it to your perception of life. This is the message of Sufi Master Pir Vilayat Inayat Khan.

The above excerpt is from Versia Harris’ review of That which Transpires Behind that which Appears: The Experience of Sufism by Pir Vilayat Inayat Khan, this week’s addition to the Fresh Milk Books Tumblr, the online space inviting interaction with our collection in the Colleen Lewis Reading Room.

For new Critical. Creative. Fresh reviews every week, look out for our #CCF Tuesdays and see the good reads we have available at Fresh Milk!

The Fact of Blackness – #CCF

Black Skin, White Masks by Frantz Fanon (1952). Photograph by Dondré Trotman.

Black Skin, White Masks by Frantz Fanon (1952). Photograph by Dondré Trotman.

“Who am I?/ I am a black man, of that I’m sure. / I am a black man…I’m sure. After all, the colour of my skin proves that fact. / So I am a black man, but I’m not sure of much more” states Frantz Fanon, a leading black intellectual of the 20th century. What I liked about Fanon’s essay “The Fact of Blackness” was his autobiographical address of the ‘black identity issue’- a topic that is still a major refrain of popular culture.

The above excerpt is from Ronald Williams’ review of Fanon’s essay ‘The Fact of Blackness’, which is the first piece to be featured on our newly launched Fresh Milk Books Tumblr, the online space inviting interaction with our collection in the Colleen Lewis Reading Room.

For new Critical. Creative. Fresh reviews every week, look out for our #CCF Tuesdays and see the good reads we have available at Fresh Milk!