FRESH MILK XX

The Fresh Milk Art Platform is pleased to invite you to FRESH MILK XX, taking place on Tuesday, May 9th, 2017 from 7-9 pm at Fresh Milk, Walkers Dairy, St. George.

This event will feature a showcase of recent work by Barbadian artist Kraig Yearwood, the 2017 Fresh Milk ‘My Time’ Resident Artist, who was on the platform during the month of March.

Responding to Kraig’s work will be Pamela Lee, an international curator and gallery manager who has worked at the Dominik Mersch Gallery in Sydney, Australia, who will also make a presentation about the connections and potential for collaborations between the areas of art and science.

Finally drea brown, a US-based poet and Fresh Milk’s current resident artist in partnership with the John L. Warfield Center for African and African American Studies at the University of Texas in Austin, will speak about her residency, the context behind her work, and close the evening with a poetry reading.

This event is free and open to the public.

Directions to Fresh Milk can be found on the ‘About Page’ of our website here.

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About Kraig:

Kraig Yearwood is a Barbadian artist and designer. Yearwood studied graphic design at Barbados Community College. He has worked as a freelance graphic designer, and has also worked as lead designer for his self-owned clothing label where he has showcased at some of the region’s biggest fashion weeks. He mainly uses mixed media in his visual art practice and to date he has exhibited in numerous local and international group shows, as well as having 5 solo exhibitions.

Yearwood says his approach to his work is partially intuitive while often informed by minimalist sensibilities, and lists eclectic influences such as introspection, relationships, nature and local and global current affairs for much of his production. Many compositions certainly feature a sense of structure and order that we often associate with graphic design, yet these elements are often broken and interrupted by marks that suggest another layer of idiosyncratic reasoning.

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About Pamela:

Pamela Lee is a skilled arts industry and communications manager with over 5 years of experience working in high profile arts organisations, the not-for-profit sector and corporate companies in Europe and Australia. She has a Master’s of Curating Contemporary Design from Kingston University London in partnership with the Design Museum, London, where she also worked as a curatorial and digital media development assistant. Most recently, Pamela has worked as the gallery manager for the Dominik Mersch Gallery, one of Sydney’s leading international, commercial galleries.

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About drea:

Originally from St.Louis, drea brown recently completed her PhD in African and African Diaspora Studies at the University of Texas in Austin. Her work has appeared in a variety of literary journals most recently Stand Our Ground: Poems for Trayvon Martin and Marissa Alexander and Southern Indiana Review. drea is also the winner of the 2014 Gold Line Press poetry chapbook competition judged by Douglas Kearney. Her chapbook dear girl: a reckoning was released in 2015.

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drea’s residency is supported by the
John L. Warfield Center for
African & African American Studies

Kraig Yearwood’s Residency – Week 3 Blog Post

Barbadian artist Kraig Yearwood shares his third blog post about his Fresh Milk ‘My Time’ Local Residency. Things began to come together both materially and conceptually for Kraig this week, having investigated the properties of concrete and experimented with how it behaves both on its own as well as in combination with other elements.  He also had the opportunity to have a studio visit with Natalie McGuire, manager at the Barbados branch of Gallery NuEdge, where he expanded on his ideas around consumption, mass manufacturing and materialism. Read more below:

A detailed view of Aquifer

Week number 3 at Fresh Milk has been a mixed bag; and if I’m being totally honest, a bit disjointed.

Happily, I’ve really started to get a handle on how the concrete reacts, and as such a better understanding of its characteristics, possibilities and limitations. While I’m loving all its various textural nuances and the ability to embed various materials, getting accustomed to the materials’ prep and drying times has been a challenge since I am not used to using mediums with long drying times. Perhaps this stems from primarily utilizing a hairdryer for most of my acrylic works. This is my preferred method of hurrying the drying process, out of a little impatience and eagerness to allow additions to be made to artwork. However, I am getting used to the wait.

In addition, I’m gaining more clarity conceptually, relative to overall directions I wish to take, on individual pieces I’m working to resolve, and those I have yet to get started on. On Saturday, I was privileged to have a studio visit with Natalie McGuire, Gallery Manager at Gallery NuEdge, where we discussed the themes that I’m currently working on.  I’m interested in using a broader theme of “the shifting philosophies of the traditional Caribbean landscape to one which is littered not only physically but figuratively as well.” The land is becoming a mirror for the mindsets of our people. This main theme of interest is accompanied by satellite themes of consumption, mass manufacturing and materialism.

Work in progress Aquifer

It’s amazing how time flies. At the onset, a month seemed a long time, but with one week left I’ve constantly been feeling like I need to do more. This week I’ve found it hard to balance my output and expectations with all the other projects and commitments outside of the residency. It was only after a chat with an art colleague, that I was reminded that we are artists and not machines, that sometimes things happen in their own time.

So…it’s with that timely reminder that I go into my final week with renewed energy and a plan to focus on things that can realistically be completed by week’s end; with the knowledge that as the residency comes to a close, that the exploration has only just begun.

Experiments

Idyllic Caribbean garden on the grounds of Fresh Milk

Kraig Yearwood’s Residency – Week 2 Blog Post

Barbadian artist Kraig Yearwood shares his second blog post about his Fresh Milk ‘My Time’ Local Residency. Having spent the first week researching and collecting his thoughts, Kraig has progressed into experimenting with materials such as concrete and discarded objects, seeing how these interact and address the conceptual side of his work. Read more below:

3 of the works in progress, each utilizing items of trash encased in concrete.

It’s now the conclusion of my 2nd week at the Fresh Milk residency, and I’m a bit more focused and much more clear on the direction of the work. Usually my mixed media production relies on the use and incorporation of items and found objects that I find some aesthetic quality in, but during this residency my main focus will be exploring the inclusion of garbage and objects mainly acquired during my walks and runs across the length and breath of Barbados, as well as trash generated during my stay.

In the week ahead, it’s my hope continue to work on a few of the themes I’ve been developing and to introduce the use of resin.

During my 1st week and most of my 2nd, I’ve had neither the time nor the head-space to enjoy and appreciate just how beautiful the grounds that are home to Fresh Milk are.  It was while waiting for cement to dry on Friday that I decided to explore the outside of my studio a bit take in the amazing flora and fauna in every corner. Yes, while it’s true the Fresh Milk platform is located a working dairy farm, there’s no shortage of all manner of critters as well as an impressive array of plants and flowers and of course beautiful Caribbean light.

Kraig Yearwood’s Residency – Week 1 Blog Post

Barbadian artist Kraig Yearwood shares his first blog post about the start of his Fresh Milk ‘My Time’ Local Residency this month. He spent the first week researching new materials as well as looking through publications in the Colleen Lewis Reading Room, gathering his thoughts and concepts for the weeks ahead. Read more below:

The Fresh Milk ArtBoard featuring work by Ronald Williams

And so, the journey begins….

As soon as I learned I’d been awarded this residency, I was engulfed by two emotions: excitement and nervousness. I was excited that I’d perhaps have an opportunity to explore new directions and materials; but also nervous because I haven’t been working on these types of projects for many months, and now I actually have to kick into gear and get to work.

This 1st week, I stuck to my plan of doing as much reading and research as possible on the themes and concepts that I was thinking of exploring, as well as on the materials I wish to delve into. I usually prefer solitude when I’m working – however, during this week, I don’t think that I’ve ever felt more alone with my thoughts or more aware of time. Never a bad thing, right?

My new friends! 😬

Some concept sketches from my 1st week at Fresh Milk.

Some of the random objects and trash found and gathered on my daily runs and walks; which I’m hoping to use in my new work.

I’d like to thank the Fresh Milk team for having me and making me feel instantly welcomed, and I’d also like to thank the talented Camille Chedda and Dominique Hunter for encouraging me to apply.

Announcing the Fresh Milk ‘My Time’ Local Resident Artist 2017 – Kraig Yearwood

kraig-yearwood-my-time-residency-flyer

Fresh Milk is very pleased to announce Barbadian artist Kraig Yearwood as the winner of the Fresh Milk ‘My Time’ Local Residency prize for 2017. Congratulations Kraig!

Kraig’s one-month residency runs from Monday March 6 – Friday March 31, 2017. From his early days as a professional artist, he has had an interest in incorporating found objects into his work, and has recently been using cardboard and corrugated card as the base materials for many constructions. During this residency, Kraig would like to continue using these types of materials, as well as exploring new materials such as concrete, resin and actual rubbish to produce a series of paintings and sculptures which delve into themes of consumption, materialism and mass production, and its impact on humans and the environment.

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About Kraig Yearwood:

Kraig Yearwood is a Barbadian artist and designer. Yearwood studied graphic design at Barbados Community College. He has worked as a freelance graphic designer, and has also worked as lead designer for his self owned clothing label where he has showcased at some of the region’s biggest fashion weeks. His mainly uses mixed media in his visual art practice and to date he has exhibited in numerous local and international group shows, as well as having  5 solo exhibitions.

Yearwood says his approach to his work is partially intuitive while often informed by minimalist sensibilities, and lists eclectic influences such as introspection, relationships, nature and local and global current affairs for much of his production. Many compositions certainly feature a sense of structure and order that we often associate with graphic design, yet these elements are often broken and interrupted by marks that suggest another layer of idiosyncratic reasoning.