Saada Branker & Powys Dewhurst – Week 1 Blog Post

Canada-based couple Saada Branker and Powys Dewhurst, a writer and filmmaker respectively, share their first blog post about their Fresh Milk residency. Both having strong ties to Barbados, Saada and Powys are in the island embarking on a project very close to their hearts and heritage: a documentary memory project commemorating the 60th anniversary of Hurricane Janet. Read more below about their first week of collecting data and interviews, and how physically being in the space has brought home the reality of Janet’s impact on the island and its people:

It was perhaps not by accident but by divine design that we arrived in Barbados on June 1st, the official start of the 2015 Hurricane season. Quite simply, Powys and I are hunting Hurricane Janet, although she is long gone. We resurrect her memory with each question posed to Bajans as they go about their daily business.

We got straight to it as we exited Grantley Adams International Airport. Our baggage handler told us she was born in 1956, one year after Hurricane Janet hit the island, but she grew up hearing of it from people every hurricane season. Edwin Edey from Top Car Rentals Barbados awaited us with a pristine vehicle, courtesy of this efficient family-run business. After a conscientious explanation of our contract, rules of the road and features of the van, Edwin described his memories of the terrain being levelled by Janet’s violent winds.

At that moment, I was hit by the realness of what Powys and I are setting out to achieve. Why it was sobering, I’m not sure. Barbados is not new to either of us. Powys grew from a precocious child into a curious teen here. I visited my parents’ birthplace for my third birthday, and I returned as an adult a few times. This media project offers us a new discovery of Barbados, guided from our elders’ lips to our ears. As in all oral traditions, there’s no greater honour than to receive such memories and hold them for sharing.  Maybe that moment of truth is what I tapped into.

Driveway to the Fresh Milk residency flat in St. George

Driveway to the Fresh Milk residency flat in St. George

Edwin graciously offered to drive ahead to show us the way to Fresh Milk. Thankful, we followed his car and looked about at our surroundings with new eyes. Where we saw foliage, infrastructure, industry and farmland, we tried to imagine 60 years earlier with bent trees, debris swirling overhead and houses battered by winds travelling upwards of 111mph. I must say, it wasn’t easy.  I was distracted. St. George was my parents’ stomping grounds when they were children.  Because I’m a sit-put condo dweller, I was struck by the steady movement of people by foot and car, the expanse of farmland and just how picturesque the Fresh Milk Art Platform really is. My inspiration to write took over.

On our third day here, with the help of Annalee Davis, Fresh Milk’s director and founder, we met with Charles Phillips, a talented photographer and entrepreneur behind Barbados-based Monochrome Media. He’s now our assistant director and 2nd camera for our film shoots.  The next day, with Charles, we were able to drive to the Barbados Museum & Historical Society located in the area of Bridgetown & its Garrison. Off camera, Assistant Curator Miguel Pena told us about the founding of the Society in 1933 as he led us to their library. There we read about the history of hurricanes in Barbados. Day 5 took us to the island’s south coast for a crucial interview in Oistins. What we learned grounded us. On Sunday, day 6, we travelled with our flatmate Thais Francis to Bathsheba on the eastern side of the country in St. Joseph.  I’m  thrilled because we’re seeing context; spaces in towns and villages where people on the move spill onto roads or simply catch a cool breeze on a corner and smart conversation with friends—many of them waving as we passed. Their gestures confirming, “I’m here and I see you.”

In no other country have I felt so welcomed by people who don’t know me. Indeed, 60 years ago Hurricane Janet killed Barbadians, Grenadians and days later Mexicans, carving a path of extensive environmental devastation. Remarkably, that same disaster speaks volumes about the people who lived through it and how they’re ready and willing to tell us about this defining moment.

Thais Francis’ Residency – Week 3 Blog Post

Thais Francis, Trinidad-born, Brooklyn-based multidisciplinary writer and performance artist currently undertaking a Fresh Milk residency, shares her third blog post. Although her week was short as she visited another Caribbean island, she reflects on the importance of working hard without putting too much pressure on yourself. She also takes inspiration from the children participating in her theatre workshop at Workmans Primary School when it comes to being flexible and embracing activities without over-thinking or allowing self-doubt to set in. Read more below:

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This week seems like it went by very quickly. I left the island for a bit, so I did some extra work prior to leaving. Finally, I have a skeleton of the screenplay. A beginning, middle and end. I thought I had to spend every second of my day, working on the script. Sometimes I did it after I left the studio – but I think that waiting, breathing and experiencing also helps the writing process. I’m getting used to the idea of not pressuring myself – glad that memo is sinking in, and
I hope it sticks when I return to the States. This upcoming week is about fine-tuning and serious focus to make it stronger. A psychiatrist in San Francisco who specializes in my subject area has agreed to be my script consultant, so I’ll be sending that over soon-ish.

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This week, I introduced costumes to the students. They adapt so well, I throw things at them, and they jump right in. Isn’t that amazing? How children can jump, or run, or laugh without thinking too much about it? Adults seem to second-guess, and seek permission; when did this carefreeness stop? Why did it stop? I personally prefer to have fun most of the time, even as an adult. We played impersonation games, I wrote scenes and broke them up into groups to perform for each other, and we worked on stage presence.

Call for interviews: Share your stories about Hurricane Janet

Fresh Milk‘s latest international residents, Saada Branker and Powys Dewhurst, share the project they will be working on while on the platform, commemorating and documenting the upcoming 60th anniversary of Hurricane Janet’s landfall in Barbados on September 22, 2015. You can read about their connection to Barbados here, and see below for more information on how to get involved and share your stories about the hurricane:

Rebuilding as part of recovery: Workers in Barbados band together to rebuild stronger homes after thousands of people lost their houses to Hurricane Janet on September 22, 1955. PHOTO: UK National Archives/Flickr

Rebuilding as part of recovery: Workers in Barbados band together to rebuild stronger homes after thousands of people lost their houses to Hurricane Janet on September 22, 1955. PHOTO: UK National Archives/Flickr

The Project

Saada describes it this way: “We are in beautiful Barbados to record, gather and preserve a collective remembering of Hurricane Janet for generations to come.”

She and Powys believe the hurricane’s Category 3-landfall on September 22, 1955, and the subsequent rebuilding throughout Barbados, are worth telling and worth documenting as part of world history for generations to come. With the help of Fresh Milk and ArtsEtc, they will capture memories of Bajans living in the Caribbean blended with those memories of Bajans living in eastern Canada. What they collect will be an array of details to be shared by website on September 22 this year. Their work will lead up to a short documentary film to be released in celebration of Barbados independence in November 2016.

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Saada and Powys at Centre island, Toronto. Photo Credit: Kara Springer

Throughout June, Saada and Powys will be making contact with Bajans in the country asking: “What do you remember about Hurricane Janet in Barbados?” They’d be honoured to share in an exchange of your memories.

Days to be interviewed at Fresh Milk (please choose one):

Friday, June 12, 2015 from: 10-1pm
Saturday, June 13, 2015 from: 1pm-6pm
Sunday, June 14, 2015 from: 1pm-6pm

If you or someone you know has a connection to Hurricane Janet and would want to contribute those memories to Saada’s and Powys’ collection, please contact them at: hurricanejanet2015@gmail.com or call 246.845.2975 to RSVP on any of the available dates.  Do leave a message with your contact info. They’ll be happy to call back to arrange a day and time for a sit-down talk about this defining moment in Caribbean history.

Thais Francis’ Residency – Week 2 Blog Post

Trinidad-born, Brooklyn based multi-disciplinary performance artist and writer, and current artist in the Fresh Milk International Residency Programme, Thais Francis shares her second blog post documenting her activities in Barbados. This week she writes about the joy she experiences when engaging with narratives that address the uncomfortable issues of real life, and her new obsession with Chefette! Read more below:

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I’ve been here for 2 weeks, and already I have a lot of stories. A lot of which are completely unrelated to art, but as an artist, the experience of life inherently affects my perspective, and the things I create.

My script. This story is really heavy (I may have to lighten up a bit). I’ve noticed a trend in the things that I write; they’re all incredibly dramatic. Probably because in real life, I’m the opposite, there is no drama here (mostly). I mean, my biggest issue is the store not carrying my bikini size (like, I can’t possibly flex on the beach in last summer’s swimsuit!) Joking. I’m way deeper than that, but yes, that’s why I enjoy telling stories that deal with real life uncomfortable issues because my personal narrative is so different. I want to use this script to help and inspire people and show they aren’t alone with their secrets. I’m well on my way to finishing, if I focus enough, I’ll be done maybe within the next week-but I don’t want to pressure myself. I’m working on that, because pressure further cements my “quarter life identity crisis”.

It’s interesting, the idea of writing a story, seeing things in your mind and then amassing a group of individuals to support it (which is a whole other process).I’ve been taking tiny steps. This is going to be an awesome movie.

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When I returned to Workman’s primary school, the students rushed to me with arms wide open and choruses of “Ms. Thais!” resounded. It was AMAZING. They even remembered the dance that we made up together- they practiced! I love them so much. One day when I’m large and in charge, I’m gonna Oprah a school or two, and provide the kiddies with so much love, resources and creativity.

Dominique (who was interning here at the studio) and I walked to Chefette (Barbados’ version of KFC/Burger King/ Pizza Hut), which is my new favorite thing. I’M NOT EVEN ASHAMED to say I’ve been eating fast food (ok, a little ashamed). Anyway we cut through the field to get back to the studio. I had to limbo under the electrical wires to get through!

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Fresh Milk welcomes Saada Branker and Powys Dewhurst to the platform

Fresh Milk is pleased to welcome our next artists-in-residence Saada Branker and Powys Dewhurst who will be joining us from June 1 to June 26. The two will spend their time collecting sights of the island and stories from locals about Hurricane Janet which hit Barbados on September 22, 1955. What they gather will be part of a multi-media project and short film presenting an exchange of Bajan and Bajan-Canadian memories about Janet and recovery.

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Saada and Powys at Centre island, Toronto. Photo Credit: Kara Springer

About Saada Branker

Saada Branker is a writer and copy editor born in Montreal. There she grew up hearing stories from her Barbadian parents about their childhood years in St. George. Now living in Toronto, she has worked on various media projects. Saada is a Ryerson University journalism graduate with a BA in Political Science from Concordia University. Her passion for writing and journalism led to opportunities in broadcast news (CBC Newsworld), newsprint (Globe and Mail, Eye Weekly, Toronto Sun), magazines (Sway Magazine, AMOI, Numb, Word). Through Saada STYLO, her home-based copyediting business, she works with emerging writers.

Saada Branker

Her recent copyediting projects include, BYOB: The Unapologetic Guide to Being Your Own Boss by Gloria Roheim (2013) and Game Face: The Art of Giving Interviews by Bodine Williams (Fall 2015).

About Powys Dewhurst

Powys Dewhurst is a filmmaker and content producer based in Canada who also holds British and Caribbean citizenship. He was born in Dominica and grew up in Barbados from age 7 to 16 in Fontabelle, Clapham Heights and Chelsea Road. His passion for film and media began in Barbados as a preteen. As a child he spent inordinate amounts of time at Roodals Drive In and Accra Beach, and after hours would liberate old comic strips from the offices of both the Nation and The Advocate newspapers.

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He has filmed in East Africa which took him beneath the plains of Mount Kilimanjaro and in 2010 he was chosen by the Canadian Government, Cirque du Soleil and Canadian Heritage to have his work as one to represent Canada at World Expo 2010 in China, which saw 73 million international visitors. His work has screened at film festivals in Chicago, Toronto, Durban South Africa, Trinidad, Texas, Kenya, Brazil, England and elsewhere. He is currently producing and developing several works including Storm, Crazy Dies and Larger Than Life.

Powys recently wrapped up as a content producer at a Bell Media presented media summit in Canada bringing in notable speakers and media companies like Vice Media, Chris Hadfield, Superchannel, CBC, TIFF, eONE, Globe and Mail, and the biggest hit Canadian TV shows.