Deadline extended: The NCF and Fresh Milk Emerging Directors Residency 2017

The National Cultural Foundation (NCF) and the Fresh Milk Art Platform are pleased to share an open call for the Emerging Directors Residency 2017. Launched for the first time last year, this exciting programme is a paid artist residency for early career theatre directors, which will provide them with an opportunity to conduct much needed research into Caribbean theatre heritage and to explore and create through theatre form and style.

The deadline for applications has been extended until October 18th, and the residency will take place between November 6th – December 8th. Read more below:

One residency will be offered for one emerging Barbadian director, who will receive a stipend of $1,000.00 BBD. The residency will be based at the Fresh Milk studio in Walkers, St. George, and will run for a 50 hour period which the resident must complete over five weeks, between November 6th – December 8th, 2017. The deadline for applications is October 18th, 2017.

The selected resident will be mentored over the course of the programme by a noted Caribbean Director and, at the close of the period, will present by way of an intimate, private showcase with their actors and specially invited theatre professionals, aspects of the work they have been exploring.

Rationale:

Residency programmes afford professionals time and space away from the demands of daily work life to carry out much needed professional development, with the emphasis on process rather than necessarily having the pressure of producing a finished body of work. Outside of traditional longer term training, a paid residency allows artists time for contemplative study and exploration. In the Barbadian context, there is much focus on the training of performers, however there are considerably fewer opportunities for those theatre artists with a special interest in directing to hone and develop their skills. Highly skilled, culturally aware and visionary directors are needed, as we move nationally to advance our cultural industries sector, and to enrich the quality of small and large scale staged events, whether drama, music, dance, or indeed multimedia events.

Greater awareness of Barbadian/Caribbean theatre form and style will serve to enhance the ideological and interpretive output of those up and coming directors on the local theatre scene, and equip them to create work that consciously and profoundly engages with Barbadian tradition. ‘Emerging Directors Residency’ offers an opportunity to design and apply staging concepts for ‘alternative spaces’, i.e. the “site-specific”, and otherwise environmental concept. It offers mentorship, access to archival material, and affords time for creativity.

Eligibility:

The ideal candidate should be a trained Barbadian theatre artist, who has directed between 1 and 4 plays.

Duration of Programme:

50 hours to be undertaken between November 6th – December 8th, 2017.

*Please note that your application must include a timeline mapping out your use of the set 50 hour period. While access to the Fresh Milk studio may be granted in addition to this timetable which may inform the work, it would be considered as work done outside of the parameters of the residency

Application process:

Prospective candidates can apply with the completed application form (which includes a bio/artist statement, project proposal and detailed timetable outlining the 50-hours of the residency, and can be downloaded here), full CV and portfolio, writing samples from your director’s notebook and 2-3 critical (newspaper, peer or academic) reviews of recent work to the National Cultural Foundation, Theatre Arts Office at the email address lisa-cumberbatch@ncf.bb before midnight on Wednesday, October 18th, 2017. They will be interviewed by a panel comprising NCF and Fresh Milk officials.

The successful candidate for the residency will be offered a stipend of $1,000.00 BBD. The mentor will spend 10 hours in total with the resident over each 50 hour residency. The resident will have access to two actors for 15 hours to experiment and/or create work. At the end of the residency period, there will be a short, private showcase where the resident can share aspects of the work they have been contemplating with a small audience of invited theatre professionals.

Expectations:

In addition to the 50 hours spent at Fresh Milk, each resident will be required to keep a weekly blog of text and images documenting their thoughts and processes which will be shared on the Fresh Milk website. At the close of the residency, each resident will also be required to submit a report according to Fresh Milk and the NCF’s guidelines.

Fresh Milk Mural Project at St. George Primary School by Evan Avery

Fresh Milk was very excited to have the opportunity to carry out this community mural project on the water tower at St. George Primary School in Barbados! Barbadian artist Evan Avery has beautified the school with his original characters, which were co-designed with input from some of the Class 4 students.

Thanks so much to Shell Western Supply & Trading Ltd. for their sponsorship, and to Infra Equipment Rentals Ltd. for generously donating the scaffolding for the project!

Fresh Milk welcomes Kate Keohane to the platform

Fresh Milk is pleased to welcome art historian & PhD candidate at the University of St Andrews, Scotland, Kate Keohane to the platform from August 28 – September 23, 2017.

Kate, whose research focuses on complicating the effect of globalisation in contemporary creative fields – particularly the way ‘paradises’ are framed in the cultural imaginary with reference to the use of the Caribbean landscape in global contemporary art – sees this residency as an opportunity to spend time in the region, getting a sense of one of the islands she is investigating and learning about the wider Caribbean. She will also be utilizing the collection in the Colleen Lewis Reading Room for research towards her thesis.

About Kate Keohane:

Kate Keohane is a PhD candidate in History of Art at the University of St Andrews, Scotland. As part of an international EU-LAC project which studies community museums, her work considers the staging and circulation of the Caribbean landscape in contemporary art. Through the sustained analysis of artists working from outside and within the region, and the ideas of writers and theorists of the Caribbean, including Édouard Glissant, Derek Walcott, Paul Gilroy and Stuart Hall, her thesis hopes to trouble the narrative surrounding conceptions of the ‘contemporary’ and the effects of globalisation on creative fields. 

The Fresh Milk ArtBoard 2017 featuring work by David Gumbs

Fresh Milk is thrilled to announce that, after reviewing a number of fantastic submissions to our open call for this year’s Fresh Milk ArtBoard and having input from an advisory group of creative professionals around the region, our team has selected an image by Saint-Martin born, Martinique based artist David Gumbs to be displayed. Congratulations, David!

David Gumbs, Offscreen (still image from interactive video piece) on the Fresh Milk ArtBoard

Artist statement:

David Gumbs is a multimedia artist from the island of Saint-Martin. His research investigates the spectator’s perception and mental landscape.

David Gumbs’ artistic approach is based on a famous quotation from XVIIth century French philosopher and chemist Antoine Lavoisier: « Mass is neither gained nor lost, merely transformed ». Thus, life’s cycle, infinite scale, memory, and the Sacred, are themes that emerge from larger topics of interest such as inner/outer landscape, and offscreen. These immersed spaces reveal personal inner projections from the unconscious, thus emerging this « Mental Archeology » through spectator’s perception. His research focuses on the different feelings, emotions, and stimulations that build memory.

Discovering the Martinican and Cuban flora triggered a vivid passion for mythical forest Gods in island cultures. This was the beginning of an identity quest through the exploration of topics dealing with the offscreen of perception, and rhizome graphical macroscopic universes.

His polymorphic art reveals the interbreeding and hybridization process in the collective and individual unconsciousness in Caribbean imagination.

The presented works are from the Offscreen and the Blossoms realtime interactive and generative video series. These images are created in realtime by using fractal data and user intervention that creates and transforms the patterns on the fly. The Blossoms series was created during David’s Davidoff Art Initiative Beijing residency in 2016, where tropical flora was used as a metaphor of air purification while the random animated patterns were growing and expanding on the city walls.

About the artist:

The Blossoms interactive installation was invited to be shown as part of the Special Projects of the Jamaica Biennial 2017. The « Water & Dreams » video was selected for the Relational Undercurrents exhibition at MOLAA, and was also shown at the Digital exhibition at the National Gallery of Jamaica.

In 2016, David Gumbs was selected as the Davidoff Art Initiative artist in residence in Beijing China, where he exhibited at the World Art Museum / China Millenium Monument, and Aotu Studio independent art space.

His « Offscreen of Perception » videos have been shown at Video Islands in New York, the opening exhibition of the Memorial Acte Museum (Macte) in Guadeloupe and Transoceanic Visual Exchange (TVE) in Barbados in 2015; at the trinidad + tobago film festival – New Media, Transforming Spaces – Bahamas and the Beep Bop Boop New Media Festival – Florida in 2014; at the BIAC Biennal – Martinique and Art Bémao New media selection – Guadeloupe in 2013; at Happy Island Project Biennal – Aruba in 2012; and at the prestigious Latitudes, Paris City Hall in 2009.

He has taking part in numerous new media festivals in Europe and in France, for example the Aborescence Festival in Aix-en-Provence. David’s work is regularly shown all over the world and in the Caribbean.

(L-R) Shanice Smith & Dominique Hunter, For your Viewing Pleasure, 2017; Leasho Johnson, How to kill a soundboy, 2017; Oneika Russell, A bit of what you fancy, Detail of a still from the video, 2017

Fresh Milk would also like to announce that three pieces were selected as runners-up for this edition: For your Viewing Pleasure by Shanice Smith (Trinidad) and Dominique Hunter (Guyana); How to kill a soundboy by Leasho Johnson (Jamaica); and A bit of what you fancy by Oneika Russell (Jamaica). These pieces are featured in our small exhibition Resonance, which continues from August 28-31, 2017 in the Fresh Milk studio.

Finally, to take a look at all of the other submissions we received, check out our online exhibition of the work, celebrating the positive response we received to this call. We are so pleased to be able to share work from around the Caribbean, especially as Barbados is the host of this year’s CARIFESTA XIII festival, and encourage you to come see all of the works in person!