Open Call: Transoceanic Visual Exchange 2019

The Fresh Milk Art Platform (Barbados), China Residencies (NY and China), The Barbados Museum and Historical Society, I: project space (Beijing) and Alice Yard (Trinidad & Tobago) are pleased to welcome submissions of recent film and video works – screenings, installations, new media and expanded cinema – by contemporary artists, to be included in the third edition of Transoceanic Visual Exchange (TVE), a series of programmes taking place this year between Barbados, China and Trinidad & Tobago. Submitted works must have been completed in the last five years and must be made by artists practicing in the Caribbean, China and their diasporas.

TVE will be a collection of recent artists’ films and videos from each region. However, the final shape and content of the programme will be informed by a community curatorial process, which aims to involve and promote discussion within the wider arts communities of each participating initiative.

Working between the Caribbean, China and their diasporas, TVE aims to negotiate the in-between space of our cultural communities outside of traditional geo-political zones of encounter and trade. TVE intends to build relations and open up greater pathways of visibility, discourse and knowledge production between the regional art spaces and their communities.

Submission Requirements:

  • Must be work from artists practicing in the Caribbean, China  and their diasporas;
  • Must be work that has been completed/made in the last five years;
  • Can be films of any length (shorts, experimental, features and video artworks);
  • Can be in any language (films originally produced in regional languages are welcome);
  • Multiple submissions are welcome;
  • Must be accompanied by a description of the work (500 words max), a bio (200 words max) and details of any technical requirements i.e. audio, installation, equipment required, preferred setting etc.;
  • Works must be in the form of mp4 files no larger than 100MB, or private Vimeo / Youtube links (please provide passwords);
  • Works must not have been submitted to previous editions of TVE;
  • Please specify whether your submitted works have permission to be exhibited on an online space.

Deadline for submissions: 28th June 2019

The online submission form can be found here.

Please direct any queries about Caribbean submissions to: tveproject.caribbean@gmail.com
Please direct any queries about China submissions to: nihao@chinaresidencies.com

For more information on TVE and its first two iterations, visit the TVE website.

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About the TVE 2019 Partners:

Fresh Milk

Fresh Milk is an artist-led, non-profit organisation founded in 2011 and based in Barbados. It is a platform which supports excellence in the visual arts through residencies and programmes that provide Caribbean artists with opportunities for development, fostering a thriving art community.

Fresh Milk offers professional support to artists from the Caribbean and further afield and seeks to stimulate critical thinking in contemporary visual art. Its goal is to nurture artists, raise regional awareness about contemporary arts and provide Caribbean artists with opportunities for growth, excellence and success.

Website: freshmilkbarbados.com
Facebook, Instagram and YouTube: FreshMilkBarbados
Twitter: FreshMilkBdos

China Residencies

China Residencies is an online and New-York based nonprofit founded in 2013 by Crystal Ruth Bell & Kira Simon-Kennedy. Since then, China Residencies supported over 50 artists and collective projects in mainland China and Hong Kong. China Residencies supports a network of over 40 different residency programs through openly accessible website, and supports the next generation of artists, activists, and arts administrators through fellowships, exchanges, and fiscal sponsorship.

“We believe diplomacy shouldn’t just be left up to politicians. Artists are cultural and social changemakers, and, in a world where people sometimes forget to listen to and learn from one another, we are passionate about creating opportunities for artists to bring a broader cultural understanding into their work and communities.”

Website: chinaresidencies.com
Facebook: chinaresidencies
Twitter: chinaresidency
Instagram: china_residencies

The Barbados Museum and Historical Society

The Barbados Museum and Historical Society (BMHS) is a non-profit, non-governmental organization with a membership of over 1,000 individuals and companies. A fourteen-member Council and the Director are responsible for its policies and operation. Nine council members are elected annually from the membership of the BMHS; the remaining five are appointed by Government.

The mandate of the Barbados Museum and Historical Society is: To collect, document and conserve evidence of Barbados cultural, historical and environmental heritage; and to interpret and present this evidence for all sectors of society.

Website: barbmuse.org.bb
Facebook, Twitter and Instagram: BarbadosMuseum

I: project space

I: project space is an augmentation of what a contemporary art institution can be, by using the freedom that comes along with running an independent practice. The space is located in the old Hutong area of Beijing and is combining an exhibition space with a residency studio for visiting artists from China and abroad. Taking its location in the center of Beijing but outside the art districts as a premise, I: project space engages in bringing an interaction with art back into the daily life.

Collaborating with local and international cultural producers, I: project space is constantly building networks with like-minded spaces all over the world to share information and to expand the impact of the independent art scene. Dedicated to build support structures for artists and open possibilities for long-term dialogues between artistic, curatorial, research and other modes of knowledge production.

Exchange and dialogue should not become empty phrases, but have to be implemented into actions. The programming of the space is framing the residency and exhibitions with an ongoing discourse about current questions on contemporary art.

I: project space aims to encourage innovative and investigative approaches, crossing borders between different creative disciplines, cultural identities, geographical locations, political economies, crafts and new technologies. By placing emphasis on the open dialogues, I: project space looks to foster experimentation, collaboration and interdisciplinary exchange.

Website: yi-projectspace.org
Facebook and Instagram: Iprojectspace

Alice Yard

Alice Yard is the backyard space of the house at 80 Roberts Street, Woodbrook, Port of Spain. This was once the house of Sean Leonard’s great-grandmother. Four generations of children played and imagined in this yard, and now we continue this tradition. Alice Yard is a space for creative experiment, collaboration, and improvisation.

Alice Yard is administered and curated by architect Sean Leonard, artist Christopher Cozier, and writer and editor Nicholas Laughlin, with the help of a growing network of creative collaborators. Alice Yard is a non-profit organisation incorporated under the laws of Trinidad and Tobago.

Since 2008, Alice Yard has run a residency programme hosting artists, curators, and other creative practitioners.

Website: aliceyard.blogspot.com
Facebook & Twitter: aliceyard
Instagram: aliceyardinsta

Tilting Axis 4 – Caribbean Cultural Ecologies: Connecting Pasts, Presents and Futures

Tilting Axis 4 – Caribbean Cultural Ecologies: Connecting Pasts, Presents and Futures was hosted from May 31st – June 2nd, 2018, by Centro León and Centro Cultural de España in Santo Domingo, in collaboration with Curando Caribe, Santiago and Santo Domingo, Dominican Republic.

The fourth convening of Tilting Axis aimed to shift its location and context to the Hispanophone Caribbean with the theme ‘Caribbean Cultural Ecologies: Connecting Pasts, Presents and Futures’. Artists, curators, stakeholders, instigators and activists gathered to debate ideas about the Caribbean’s interdependent future in relation to culture, the nature, technology and the role of institutions while sharing creative ways which reimagine our collective futures in relationship with our particular environment and with each other.

 

View the full programme for Tilting Axis 4 here

See below for video documentation of the conference, courtesy of the
Centro Cultural Eduardo León Jimenes Youtube Channel:

 

Tilting Axis Curatorial Fellowship 2018 Open Call

As a direct outcome of the Tilting Axis meeting held at the National Gallery of the Cayman Islands in May 2017, the University of Texas at Austin’s (UT) Art Galleries at Black Studies has come together with Tilting Axis to offer a Curatorial Fellowship to an emerging curator living and working in the Caribbean.

This Fellowship opportunity focuses on curators living and working within the Caribbean region, and is both research and practice-led, and mentor-based. The Fellow will receive a maximum of USD$5,500 towards a fee, travel, accommodation and living costs. The Fellowship is supported by University of Texas at Austin’s (UT) Art Galleries at Black Studies.

This Fellowship includes round-trip airfare from any country within the Caribbean to Austin, Texas, where the Fellow will have access to private accomodation, in the award-winning home of Susanna and Richard Finnell, local collectors, for a period of four weeks. During this timeframe, the Fellow will be able to view and work with the University of Texas at Austin’s (UT) Art Galleries at Black Studies’ Collection along with the LLILAS Benson Latin American Studies Collection, and the campus libraries.

This Fellowship also includes access to the 800-piece private Christian-Green Collection comprised of Afro-Caribbean and Afro-American art works, with a dedicated focus on works from Haiti. The Fellow will also have access to the Christian-Green’s Reading Room and will be mentored by Lise Ragbir, the Director of the Art Galleries at Black Studies at UT, with whom he/she will work to produce a fully funded exhibition in the Warfield Center’s Idea Lab Gallery, in the Fall of 2019.

Application Process:

Proposals will be judged by an international jury consisting of curators, academics, and museum professionals, after which shortlisted candidates (3) will be invited for an interview via Skype.

The Fellow will be selected on the basis of a letter of interest stating how this opportunity and access to collections and archives would inform and develop their curatorial practice, and why they think they would be a good candidate. The proposal should be no longer than 1000 words, and can be submitted to: tiltingaxis@gmail.com.

Please enclose CV and two references.

The Fellowship will be conducted over a four week period in either the Fall semester of 2018 or the Spring semester of 2019. Exact dates to be determined in consultation with the mentor.

The submission deadline for applications is May 18th, 2018, and the Curatorial Fellow will be announced at the upcoming Tilting Axis 4 meeting in the Dominican Republic on May 31st – June 2nd, 2018.

Jurors will be:

  • Lise Ragbir, the Director of the Art Galleries at Black Studies at The University of Texas at Austin
  • Eddie Chambers, Professor in the Department of Art and Art History, University of Texas at Austin
  • Holly Bynoe, ARC Magazine, The National Art Gallery of the Bahamas and Tilting Axis co-founder
  • Tobias Ostrander, Senior Curator, PAMM
  • Mario Caro, board member of Res Artis, Tilting Axis partner
  • Annalee Davis, Fresh Milk Barbados, Tilting Axis co-founder
  • Natalie Urquhart, Director, The National Gallery of the Cayman Islands
  • Sara Hermann, Visual Arts Consultant, Centro Cultural Eduardo León Jimenes
  • Joel Butler, Visual Arts and Exhibitions Coordinator, Centro Cultural Eduardo León Jimenes

 

Fresh Milk welcomes Kate Keohane to the platform

Fresh Milk is pleased to welcome art historian & PhD candidate at the University of St Andrews, Scotland, Kate Keohane to the platform from August 28 – September 23, 2017.

Kate, whose research focuses on complicating the effect of globalisation in contemporary creative fields – particularly the way ‘paradises’ are framed in the cultural imaginary with reference to the use of the Caribbean landscape in global contemporary art – sees this residency as an opportunity to spend time in the region, getting a sense of one of the islands she is investigating and learning about the wider Caribbean. She will also be utilizing the collection in the Colleen Lewis Reading Room for research towards her thesis.

About Kate Keohane:

Kate Keohane is a PhD candidate in History of Art at the University of St Andrews, Scotland. As part of an international EU-LAC project which studies community museums, her work considers the staging and circulation of the Caribbean landscape in contemporary art. Through the sustained analysis of artists working from outside and within the region, and the ideas of writers and theorists of the Caribbean, including Édouard Glissant, Derek Walcott, Paul Gilroy and Stuart Hall, her thesis hopes to trouble the narrative surrounding conceptions of the ‘contemporary’ and the effects of globalisation on creative fields.