Sovereignty of the Imagination: Conversations III #CCF

Sovereignty of the Imagination

George Lamming’s Sovereignty of the Imagination: Conversations III is an interesting dialogue. It explores how European imperialism and colonialism has influenced the cultural identity of the Caribbean. Separated into the essaysSovereignty of the Imagination and Language and the Politics of Ethnicity, the novel addresses the way social institutions are founded in imperialism, and the way this shapes the social constructs of race, class, nationalism and popular ideas about language. It is this latter essay, and in particular Lamming’s discussion on the race relations between the Afro and Indo-Caribbean populations, which resonates with me the most.

The above excerpt is from Ronald Williams review of George Lamming’s Sovereignty of the Imagination: Conversations III, this week’s addition to the Fresh Milk Books Tumblr – the online space inviting interaction with our collection in the Colleen Lewis Reading Room.

For new Critical. Creative. Fresh reviews every week, look out for our #CCF Weekly posts and see the great material we have available at Fresh Milk!

Márquez’s Bolivar – #CCF

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The front cover of The General in His Labyrinth is a blueprint. Its red tiled corridor could be a path in the labyrinthine mental and physical journey of the novel’s main character—the 19th century figure who is known as ‘The Liberator’ of Latin America from Spanish colonialism—General Simon Bolivar.

This path runs through a series of arches that are decorated with tropical trees; two naked women sit in the curves of each arch. Multiple Bolivars in full military regalia can be seen pacing with their hands clasped behind their backs from one side of an arch to another, probably reflecting on his past accomplishments and failures. The Bolivar at the farthest end—at the vanishing point—seems to be attempting to walk backwards, towards the reader/viewer, as if considering a return to his former glory. I say ‘attempting’, because the shrinking of the protagonist seems to reflect Bolivar’s inevitable death. His return happens only through  his labyrinthine recollections of past victories and failures, of great friendships and betrayals, and his thirty-five passionate love affairs.

The above excerpt is from newest member of the FMB Team Kwame Slusher’s review of Gabriel García Márquez’s The General in His Labyrinththis week’s addition to the Fresh Milk Books Tumblr – the online space inviting interaction with our collection in the Colleen Lewis Reading Room.

For new Critical. Creative. Fresh reviews every week, look out for our #CCF Weekly posts and see the good reads we have available at Fresh Milk!

The Origin of Species – Super Human #CCF

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Nino Ricci’s the Origin of Species reminds me of how sloppy human feelings are. We make decisions then change our minds. We make mistakes and run from those mistakes. We do good, we do bad. Alex, the book’s main character, is not a bad person. But is he a good one? The phrase that comes to mind is ‘…things are never black and white.’

I once dreamt that I had died; I was killed in an explosion. Just before I died, I remember being excited about my death. I was ready for it. I felt like all the answers to the ‘big questions’ would become clear to me. I’d finally know the purpose of life and I would be awesome like Hugh Jackman’s character when he became enlightened in the movie ‘The Fountain’. And even though I was dreaming I felt that when I woke up, whatever insight I had found in my dream death, I would have in my waking life. I wanted death because I believed I was on the brink of some great knowledge that had eluded me all of my 22 years. But of course I passed and nothing happened. No zap or jolt of power or knowledge. I didn’t shine, my eyes didn’t become bright with wisdom and all that hoopla. I did float though, but that’s beside the point. What I want to zone in on is that feeling of being on the brink of something important; of acquiring the state of mind that will change you for the better. That is the feeling that plagues Alex.

The above excerpt is from Versia Harris’ review of Nino Ricci’s The Origin of Speciesthis week’s addition to the Fresh Milk Books Tumblr – the online space inviting interaction with our collection in the Colleen Lewis Reading Room.

For new Critical. Creative. Fresh reviews every week, look out for our #CCF Weekly posts and see the good reads we have available at Fresh Milk!

Beyond a Boundary – #CCF

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…This heartfelt public interest in cricket led the sport into a political battle, of which James was the spearhead. The regime which supported class and race distinctions, which had prevented the West Indies from ever having a black captain, came under constant attack from James’ paper and a volatile open letter which seemed to threaten war. I found it stirring that this came from a man like James, a man so immersed in the game that he held the code of ‘keeping a stiff upper lip’ (James 24) to the highest standard,  that he was willing to put the decency and decorum behind him. Cricket was changing, so it was apt that a man so passionate about the game was changing as well. I spoke of my nostalgia earlier, for that is what it was. While James’ love for the game drove him to momentarily disregard his values—for the good of the game—my own feelings have dissolved to indifference…

The above excerpt is from Ronald Williams’ review of C.L.R. James’ Beyond a Boundarythis week’s addition to the Fresh Milk Books Tumblr – the online space inviting interaction with our collection in the Colleen Lewis Reading Room.

For new Critical. Creative. Fresh reviews every week, look out for our #CCF Weekly posts and see the good reads we have available at Fresh Milk!

Validity and Visibility – See Me Here #CCF

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There is an undeniable relationship between validity and visibility. As quietly confident, assured or competent as one can be, there is something about gaining recognition that feeds the feeling of being appreciated and understood – of being seen. I already feel slightly uneasy and egotistical trying to articulate this in a way that doesn’t trigger little accusatory voices in the back of my mind hissing ‘vain!’ or ‘insecure!’…concepts that by all logic should be mutually exclusive, but the idea of needing validation from external sources manages to connote both. Maybe a less self-destructive approach is to delve into something relevant to, yet larger than myself, through the honest and brave work of the artists featured in See Me Here: A Survey of Contemporary Self-Portraits from the Caribbean.

The above excerpt is from Katherine Kennedy’s review of See Me Here: A Survey of Contemporary Self-Portraits from the Caribbeanthis week’s addition to the Fresh Milk Books Tumblr – the online space inviting interaction with our collection in the Colleen Lewis Reading Room.

For new Critical. Creative. Fresh reviews every week, look out for our #CCF Weekly posts and see the good reads we have available at Fresh Milk!

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