Fresh Milk’s 2019 in Review

Thank you for your continued support of Fresh Milk!

At the Fresh Milk Art Platform, we believe in the visual arts and its capacity to empower young artists and bring the Caribbean closer together. Through our local, regional and international programming, we have witnessed the benefit of investing in the arts, a sector that is increasingly vital now more than ever before.

With your valuable support, we will continue to contribute to the professional development of visual artists in Barbados, the Caribbean and its diaspora through our streamlined programming in 2020. While hosting fewer artists on site at Fresh Milk, this year’s residency focus will be on Caribbean Linked – a regional residency uniting artists from all linguistic territories in the region. We’ll also be fostering new international residency opportunities for Caribbean-based professionals.

A special focus for Barbados is the We Gatherin’ project and Fresh Milk is keen to participate to this unique event. If you’d like to work with us to commission new work by local artists for the 2020 Fresh Stops project or support new work for the Fresh Milk Art Board,
click that donate button!

It’s very easy to support us by making a donation through this PayPal link. Your contributions make our programmes possible, and gifts of any size are welcome.

The Fresh Milk Team offers warm thanks and deep gratitude,
and invites you to reflect on 2019 with us in our annual
year in review newsletter!

TVE 2019 Online Exhibition

Fresh Milk is excited to launch the Transoceanic Visual Exchange 2019 Online Exhibition, which will be available for viewing between November 23rd – December 21st.

Exhibiting artists include:

Wang Chen (China/Australia) – My Little Brother and Secret
Chen Dandizi (China) – Deep Relax
Luk Gama (Guadeloupe) – Tan boudé chiré…
Versia Harris (Barbados) – For Peace
Zhiliang Jin (UK/China) – Shareable Horizons
Kadiejra O’Neal (Barbados) – Gestation Period
Adam Patterson (Barbados) – Buchibushi and Rammelaar
Richard Mark Rawlins (Trinidad & Tobago) SUGAR
Kia Redman (Barbados) – Roots | Routes and Surround Sounds
Sucheng (China) – 一千零一夜 (At This Moment)
Zhao Xu (China) – Stranded Dreams

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Have a Question about TVE?

If you have a question about the TVE programme, or want to engage directly with the Caribbean and Chinese artists about their work, the #askTVE form lets you submit your feedback and questions directly to our team, and we will share the artists’ responses with you in an open forum!

Announcing Kia Redman as the Barbadian resident artist at Le Centre d’Art, Haiti

Fresh Milk is thrilled to announce Barbadian artist Kia Redman as the recipient of a one month artist residency at Le Centre d’Art, Haiti, who we have partnered with for a residency exchange programme between Haiti and the wider Caribbean to create opportunities for women arts practitioners, supported by UNESCO’s International Fund for Cultural Diversity (IFDC).

Kia’s residency will take place October 14th – November 14th, 2019. A subsequent call for women, Haitian artists to attend a one month residency with us at Fresh Milk, Barbados will be released soon!

About Kia Redman:

Kia Redman is a creative professional living and working in Barbados. She attained her BFA in Studio Art R with first-class honours from the Barbados Community College in 2017 and has spent the time since developing her creative practice.

Kia currently works part time as a designer and videographer for Acute Vision Inc. and Bajans in Motion. She has participated in local residencies with Punch Creative Arena and Fresh Milk Barbados and taken part in local group shows and screenings internationally. In 2018 her short film Roots|Routes won six awards including Best Short Film at the Barbados Visual Media Festival.

Being born into a post-independent nation in formation, Kia’s work focuses on issues of identity, mapping culture and documenting histories. She aims to rewrite the blanket definition taught to be her Caribbean identity and discover the things unique to her lived experience.

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About Le Centre d’Art:

Le Centre d’Art in Port-au-Prince is an institution that works towards promoting artistic creations by Haitian practitioners on the basis of preserved heritage values. Since its creation in 1944, this atypical space with multiple missions has been at the heart of societal and artistic evolutions. As the major protagonist in the reconfiguration of the fine arts realm in Haiti, Le  Centre d’Art has been paving the way for several schools and artistic movements.

Despite the destruction of the infrastructure during the earthquake of 2010, Le Centre d’Art managed to save more than 5000 works and 3000 archive files, which are today preserved and valued. Since the reopening in 2014, Le Centre d’Art has once again become an essential part of Haitian culture.

Its mission is to support artists and their creations, and to conserve and disseminate Haitian visual arts. It is a resource space for artists, art students, art lovers, collectors and researchers alike.

FRESH MILK XXII Photographs

Fresh Milk is pleased to share images from FRESH MILK XXII: Residency Readings, hosted on Friday, July 5th, 2019.

Writers-in-residence – inaugural recipient of the Colleen Lewis Research/Writing Residency, Barbadian artist Kia Redman; participant in our international residency programme, Bahamian writer Ethan Knowles; and the 2019 ‘My Time’ Local Resident, Barbadian writer Ark Ramsay – each shared the outcomes of their residencies, giving readings of their work and engaging with the audience about their experiences over the last few weeks.

All photos by Dondré Trotman.

Kia Redman’s Fresh Milk Residency – Week 4 Blog Post

Barbadian artist and aspiring writer Kia Redman shares her final blog post about her Colleen Lewis Research/Writing Residency at Fresh Milk. The last week was somewhat stressful as she prepared for her first public reading at the event FRESH MILK XXII, while also offering moments of relief through outings and interactions with her fellow residents, the Fresh Milk Team and the wider creative community. Spilling over into a 5th, unplanned week has been just the thing for Kia to comedown from the intensity of her performance, continue her research, and even embark on a new visual work to complement her written/spoken word piece. Read more below:

This last week was stressful. I spent the entire time completely dreading Friday night, when we would have to read what we wrote in front of people. It wasn’t the public speaking that bothered me. That is a necessary evil in life. I just had no idea what I would write. I tried for days, and I ran myself around in circles. Ideas would fly out of my brain, imprint themselves on a page and just as soon disappear when I scrapped them. I was embodying a clichéd rendering of writer’s block.

Eventually, I settled on a concept. I was spending a lot of time researching ‘How to Escape from Paradise’ and I knew I wanted to write something from the perspective of the island. When I thought of all the possible instances from history I could reference, there were so many players and so much turbulence and trauma surrounding them that it seemed like the island was having a series of terrible relationships. Initially, I was only going to have the island reminiscing about her past paramours, but the voices of her current lovers kept invading my mind. This is how “A Paradise Escape?” was born. I read the part of the citizen, and with the help of Ethan reading the tourist and my mother, Donna, reading the Island, we performed the piece.

While most of the week had me in a panic, the beginning was amazing. We had a town-adventure day and visited Israel Mapp at the incredible Union Collaborative space and Kraig Yearwood in the midst of setting up his installation “Retro-Future Landscapes” in Norman Centre. It is inspiring every time I witness contemporary art purposefully intertwined with everyday public life. Our adventure day was no letdown. Creativity ran rampant, in tune with the frenzied pulse of the city. The perfect day ended in much the same fashion. We sat upstairs Norman Centre, looking down at the city as we ate some delicious vegan food, family style.

I couldn’t have asked for a better final week. While it did incite a massive amount of stress, it also helped me get over the mental creative block I have had for a while. There’s nothing like the threat of public embarrassment to light a fire under your ass. I’m still humming from the thrill of that experience. So much so that I’ve now found myself back at Fresh Milk for another week, keeping Ark company as they finish up their final week.

My work for this time isn’t going to be strictly literary. I loved the way the performative-like presentation of “A Paradise Escape?” left room for me to incorporate this and other future literary works into my visual practice. This is what I’ll be experimenting with in my bonus week at Fresh Milk and back in my space in the time to come. But it hasn’t all been work. The stress of the last week really made me crave curling up with a good book. Earlier in the residency, Annalee had placed a copy of Jean Rhys’ “Wide Sargasso Sea” on my desk, telling me it was one of Colleen’s favourite books. It’s certainly been on my ‘to read’ list for a while and seemed like the perfect way to end off my time as the inaugural Colleen Lewis Research/Writing Resident. The addition of the beautiful, sweetheart Roo made it impossibly better.

I didn’t know how much I needed this residency until it came. The peaceful surroundings were a great escape from the bustle of my everyday life in the city, but it was the camaraderie that made it a truly unforgettable experience. Spending time connecting with Ethan, Ark, Katherine and Annalee has been healing in a way that’s as vital as it was unexpected. While I have been in the company of people who have encouraged my writing before, I have never been in a space so devoted to celebrating literature. It made me distinctly aware of how much I rely on the visual to translate my experiences, and how out of my comfort zone I was. It was great to be pushed. I’ve felt my perspectives broadening each day in the last few weeks. It almost feels like I have developed a new way of seeing…of being. I’m excited to explore this new addition to myself and see where it takes me. I’m sure it’ll be somewhere I could never imagine.

Thank you to all who made this journey possible. You are appreciated in ways I can’t express.