Announcing the Fresh Milk ‘My Time’ Local Resident Artist 2018 – Ronald Williams

Fresh Milk is very pleased to announce Barbadian artist Ronald Williams as the Fresh Milk ‘My Time’ Local Resident Artist for 2018. Congratulations Ronald!

Ronald’s one-month residency runs from Monday April 30th to Friday May 25th, 2018. Ronald will focus on issues currently affecting Barbadian society, exploring how the glamour associated with materialism, drugs and violence breeds a certain vanity, with a particular focus on the poorer “ghetto” class.  Inspired by the Vanitas paintings of the 17th century, he will work on contextualizing similar themes in today’s society, looking at decadence, insecurity, swagger & pretension, and their connection to religion/spirituality.

About Ronald Williams:

Ronald Williams is a digital artist, born, raised and working in Barbados. His digital collages; created through the manipulation of photographs, print and online media as well as computer generated images, investigate race, class and culture; particularly representations of ‘blackness’.

Since earning his BFA in Fine Arts from The Barbados Community College, Williams has participated in various local, regional and international group exhibitions.

Fresh Milk presents ‘Resonance’

The Fresh Milk Art Platform is pleased to present Resonance, a showcase of works by some of the artists who have participated in residencies or projects with the organization over the last six years. Resonance opens on Saturday, August 19th, 2017 from 2-4pm with a presentation about Fresh Milk’s programming and a chance to speak with some of the exhibiting artists, and will also be open to the public on August 21st – 23rd and 28th – 31st from 10am – 4pm each day. Come and see what Fresh Milk has on display during the regional celebrations of CARIFESTA XIII, and commemorate our 6th anniversary with us!

About Resonance:


the quality in a sound of being deep, full, and reverberating.

the reinforcement or prolongation of sound by reflection from a surface or by the synchronous vibration of a neighbouring object.

When Fresh Milk began in August 2011, it was an experiment based on the hypothesis that there was a need for spaces in Barbados where contemporary artists, writers, thinkers and makers could come to conduct their own creative investigations. Six years later, the experiment continues to grow organically locally and throughout the Caribbean, constantly being fed by the artists that we engage with.

Resonance plays on the phonetically similar word ‘residence’, taking this opportunity to celebrate our local artist in residence programme among other innovative projects, as well as regional residency initiatives. There is also synergy with the definition of the word; each of the creatives that have been involved with Fresh Milk have enriched the platform, their presence and contribution continuing to impact every new endeavor we undertake and reinforcing our desire to foster prolonged relationships with artists. This showcase is less about following a theme, and more about recognizing the dynamic trajectories of the participants’ varying practices.

It’s our pleasure to feature works by Barbadian artists Simone Asia, Evan Avery, Cherise Harris, Versia Harris, Raquel Marshall, Ronald Williams, Anisah Wood and Kraig Yearwood. Additionally, we are excited that this show coincides with CARIFESTA XIII in Barbados, and are pleased to be able to include works by regional artists Dominique Hunter (Guyana), Leasho Johnson (Jamaica), Oneika Russell (Jamaica) and Shanice Smith (Trinidad) – each of whom have also been part of the Caribbean Linked residency programme coordinated by Ateliers ’89 in Aruba, Fresh Milk and ARC Magazine. We look forward to maintaining our connections with each of these artists, the many others that we have worked with in the past, and those still to come in the future.

Directions to the Fresh Milk studio can be found on the About Page of our website, and for more information email

Ronald Williams shares a statement about ‘Alpha’

There has been some recent media coverage in the Nation Newspaper in Barbados surrounding a public art piece by local artist Ronald Williams, which was commissioned by Fresh Milk and Adopt A Stop as part of their collaborative Fresh Stops project.

Fresh Milk is very pleased to be able to share a comprehensive statement by Ronald about his artwork entitled Alpha, which can be seen on a bench in Independence Square, Bridgetown. Alpha combines imagery and references from contemporary black culture, based on the artist’s own observations from everyday life, with classic figures from Greek mythology to challenge Western standards of beauty.

We are proud to be supporting Ronald’s thought provoking work, and hope that the attention it is receiving will lead to further dialogue and understanding about contemporary art, its role in society and its value for our culture and environment.

Ronald Williams with his bench entitled 'Alpha'

Ronald Williams with his bench entitled ‘Alpha’

Alpha attempts to question traditionally dominant Western beauty standards. It injects a black consciousness alongside, and at times instead of, the established images found in Classical Greek, Renaissance and Baroque eras.

In appropriating the revered iconography from these eras, I sought to challenge the Western ideals which are so dominant in our culture and mind-sets. The characters are based on five of the Olympians from Greek Mythology (tales which were dominant in my own psyche as those were the first stories I remember really liking as a child).

While I removed the mythical Greek icons from their pedestals, the aim was to also critically investigate black culture and present a Barbadian/Caribbean existence in a new light. Therefore, I used ordinary people and mundane personalities as my inspiration. As a result the five characters take the form of the pretty boy, the party animal, the conscious one, the bad boy and the trickster.

The work, viewed as a collective, reflects African, European and East Asian influences, highlighting that even though we are a predominantly black county/region, it is the intermingling of these various cultures which has caused the Caribbean to be a unique space.

Apollo - Detail of 'Alpha' by Ronald Williams

Apollo – Detail of ‘Alpha’ by Ronald Williams

Apollo, described as the most beautiful Olympian and a ‘God’ of the arts, becomes the pretty boy. He is the personification of modern male fashion, which often goes beyond metrosexual and into effeminate/homosexual realms. The character sports a white face on a black body, highlighting the skin bleaching phenomenon (seen as a beautification process), which is prevalent in the black population in the Caribbean.

Dionysus - Detail of 'Alpha' by Ronald Williams

Dionysus – Detail of ‘Alpha’ by Ronald Williams

Dionysus, the ‘God’ of alcohol, drunken revelry and ecstasy is the party animal. Dressed as a Kadooment/Carnival masquerader holding a bottle of brandy and set against a smoky marijuana background, the character appears intoxicated and moody. The piece as a whole aims to underline the use of controlled substances when we ‘play mas’ or celebrate, while it simultaneously hints at the darker mood swings which can be a side effect of drug abuse.

Zeus - Detail of 'Alpha' by Ronald Williams

Zeus – Detail of ‘Alpha’ by Ronald Williams

Zeus, the supreme Olympian, takes the role of the conscious/spiritual one. He represents a state of serenity and oneness (an ideal level of consciousness many religious/spiritual teachings uphold that one should strive for). His modest natural wood frame (in comparison to the other metallic embellished frames) symbolizes a sense of purity and an immaterial view of the world.

Ares - Detail of 'Alpha' by Ronald Williams

Ares – Detail of ‘Alpha’ by Ronald Williams

‘God’ of war Ares naturally becomes the ‘bad’ boy. The aim of this piece is to exude an aggressive, violent vibe. The character’s ‘tattoos’, made from graffiti, his skull scarf and his horned mask all help to paint the picture of a sinister ‘gangsta’, while the red scarf background and the frame made from bullets sell the idea of a dangerous yet strangely glamorous lifestyle many from poor ‘ghettos’ seem to aspire to.

Hermes - Detail of 'Alpha' by Ronald Williams

Hermes – Detail of ‘Alpha’ by Ronald Williams

Hermes, the mischievous ‘God’ of trade, thieves and wanderers is the trickster. He has a clownish appearance, but the background of optical illusions and card suits indicate that there is some level of deception and gamesmanship involved. While Apollo haughtily wears his white mask, Hermes insincerely revels in his. He is the personification of a role many in the black population (Caribbean and worldwide) feel is necessary to play; a conformity to a dominant white culture.

Ronald Williams, Alpha, 2015

Ronald Williams, Alpha, 2015

Thank you to Ronald for sharing his work, to Adopt A Stop for entering into this partnership with us, and to all of the artists participating in the Fresh Stops project. You can learn more about their pieces here.

Re: Controversy around Bench in the ‘Fresh Stops’ Project

There has been some recent controversy in the local  Barbados media surrounding one of the benches commissioned by Fresh Milk and Adopt A Stop as part of our collaborative Fresh Stops Project.

'Alpha' by Ronald Williams.

‘Alpha’ by Ronald Williams, featured on a bench currently located in Independence Square, Barbados

Fresh Milk and Adopt A Stop have been involved in a dynamic partnership since 2014, creating opportunities for young Barbadian contemporary visual artists to produce new artworks in public spaces. To date we have commissioned five artists to produce images for benches which have been popping up around the island, including sites at River Bay, Bathsheba, Hunte’s Gardens, the Errol Barrow Centre for Creative Imagination (EBCCI) and Independence Square. The final bench in this current series is set to be released soon, and will be placed at the Barbados Community College (BCC). You can see more about the innovative project here.

The article published in the Nation Newspaper on Friday, 18th September, 2015.

The article published in the Nation Newspaper on Friday, 18th September, 2015.*

In the Friday, September 18th edition of the Nation Newspaper, there was an article referring to one of the benches featuring artwork by BCC Graduate, Ronald Williams, expressing concern about the nature of the images in the piece. Since being a student of the BFA programme at BCC, Ronald has been producing a body of work looking at stereotypical representations of black culture. Here is his statement for Alpha, the piece on the back of the bench in question:

Alpha attempts to question traditionally dominant Western beauty standards. It injects a black consciousness alongside, and at times instead of, the established images found in Classical Greek, Renaissance and Baroque eras.

Fresh Milk is also currently showing Ronald’s work in our public gallery space called the Fresh Milk ArtBoard.

full bench alpha

Ronald Williams, Alpha, 2015.

We have been in touch with the Nation in order to clear up this matter. The artist and representatives from Fresh Milk and Adopt A Stop are happy to discuss the work and the project further to generate a healthy discourse around contemporary art in Barbados.

*Please note that the bench was not, as stated in the newspaper article, donated by Massy United Insurance, and that they are not affiliated with the project.

‘Alpha’ in Independence Square


Fresh Milk  and Adopt A Stop continue the Fresh Stops collaborative project this month with Ronald Williams’ piece titled ‘Alpha’. In an attempt to bring art into the public space, six artists were commissioned to produce original artwork for benches that will appear at varied locations around the island. ‘Alpha’ by Ronald Williams has been installed in Independence Square, Bridgetown, St. Michael*. Thank you to Adopt A Stop for partnering with us to produce yet another fantastic bench!

The other participating artists include Evan AveryMatthew Clarke, Versia HarrisMark King and  Simone Padmore. This project creates visibility for the work of emerging creatives, allowing the public to encounter and interact with their pieces in everyday life, generating interest and inviting dialogue  about their practices.

*This bench was formerly located in Jubilee Gardens, Bridgetown.


Alpha attempts to question traditionally dominant Western beauty standards. It injects a black consciousness alongside, and at times instead of, the established images found in Classical Greek, Renaissance and Baroque eras.

About Ronald Williams:

Photograph by Rachelle Gray

Photograph by Rachelle Gray

Ronald Williams is a multimedia artist and graduate of the Barbados Community College Fine Arts program. His work currently focuses on race and sociology, most recently investigating the role that sports and the black athlete play in society. He manipulates popular based imagery to compose computer-generated images that explore sports, perceptions, stereotypes and fantasies about the black athlete or figure. This collage series was shown in Scotland at the International Artist Initiated (IAI) project, presented by the David Dale Gallery & Studios as part of The Glasgow 2014 Cultural Programme which took place alongside this year’s Commonwealth Games.

About Adopt A Stop:

The Adopt A Stop project provides socially beneficial advertising in the form of bus shelters, benches and outdoor fitness stations at prime sites around Barbados. They embrace solar lighting, local materials and tropical design in keeping with their goal of environmental sustainability.