Fresh Milk‘s Founding Director, Annalee Davis sits down for a chat with recent Fresh Milk resident artist, Lauren Craig. Lauren is a London based multimedia visual artist who developed ‘floral installation” to describe her creative practice. During their conversation, Lauren spoke about some of the projects she has been working on in the UK including her work for the British museum and the Petrie Museum of Egyptian Archaeology. In addition, Lauren shares her collaborative work with British women of colour as they develop the Women of Colour Index and ‘X Marks the Spot’, in contribution to an archive at the library at Goldsmiths University in London. Below are photographs that Lauren produced while on her residency at Fresh Milk.
Lauren Craig and Annalee Davis In Conversation Part 1
Lauren Craig and Annalee Davis In Conversation Part 2
For more on Lauren’s residency and the continuation of her ‘Cleanse’ project, read Lauren’s exchange with Llanor Alleyne here: http://bit.ly/1EvPQdF
Lauren Craig’s Biography
Lauren Craig is a social entrepreneur and artist researcher based in London. She has designed systems and living business models that have challenged large corporations in areas of racism, minority and women’s rights. Her art and entrepreneurial activity tackle big questions around ethics, equality, sustainability and community engagement in the cut flower industry whilst delivering practical floral alternatives locally, through her organization ‘Thinking Flowers?’
As an entrepreneur, Lauren is involved with social issues such as environmental destruction, London street crime and equality, aiming to promote positive change through ethics, sustainability and engagement. She has developed therapeutic methods using photography to document and tackle street crime and runs a pioneering ethical florist. Additionally, she has founded ‘Field’ – an innovative pop-up community retail space in Brixton Village, pioneered urban green waste schemes and floral donations services whilst campaigning for human, working and women’s rights further afield. She is currently setting up the Field Foundation, which will work to reconnect people with the creative cultural industries.
Her recent work includes ‘Petal Tank’, an experimental film featuring collage of autoethnographic darkroom photography, poetry and sculpture. (Tate Modern Tanks, 2012) ; An artist residency at the Women’s Art Library at Goldsmiths College, University of London (2013-2014) ; Sculptural Garden, collaboration with Paul Jones, Royal Collage of Art for Space Station 65, London (2014) ; ‘Sense and Sensibilities’ at Victoria and Albert Museum, London (2014) ‘Modern Measures – Holding, Pouring, Stirring’ at The Petrie Museum of Egyptian Archaeology in London as part of University College London Museums & Collections (2014). Collaboration with visual arts and research collective ‘X Marks the Spot’, initiated at Studio Voltaire 2011, engages with the archive of photographer Jo Spence to explore concepts of class, race, gender and wellbeing.